{"id":2476,"date":"2023-08-30T11:59:24","date_gmt":"2023-08-30T08:59:24","guid":{"rendered":"https:\/\/festival2023.rixc.org\/?page_id=2476"},"modified":"2024-08-03T16:43:57","modified_gmt":"2024-08-03T13:43:57","slug":"emanuel-gollob","status":"publish","type":"page","link":"https:\/\/festival2023.rixc.org\/?page_id=2476","title":{"rendered":"Emanuel Gollob"},"content":{"rendered":"\n<p><strong>Emanuel Gollob (AT)<br><em>dis<\/em>arming<\/strong><br><em>robotic installation, 2023<\/em><\/p>\n\n\n\n<p><em>dis<\/em>arming is a performative exploration of the relationship between detached robot arms, artificial environments, and human observers, as well as a search for potential future roles of robotics &amp; AI in our society. Learning and unlearning of locomotions in postanthropocentric environments and times. The work playfully explores the ambiguity of disarming as a process of physical detachment and emotional attachment.<\/p>\n\n\n\n<p>Locomotion can be seen as a primal (post-birth) instinct and ultimate act of independence. A robotic limb, somehow detached from a human-constructed technological body, tries to find concepts for advancing movements even though it initially wasn\u2019t made for locomotion \u2013 vulnerable yet determined. Parallel to a familiar dystopian plot of technological autonomy and the feelings going with it, witnessing these first clumsy tries may awaken compassion or even a certain emotional bond. disarming paints a picture of a relational world with and between independence and still connectedness.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarming_prelimbinary_learning-unlearningcEmanuelGollob-1024x576.jpg\" alt=\"\" class=\"wp-image-2572\" srcset=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarming_prelimbinary_learning-unlearningcEmanuelGollob-1024x576.jpg 1024w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarming_prelimbinary_learning-unlearningcEmanuelGollob-300x169.jpg 300w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarming_prelimbinary_learning-unlearningcEmanuelGollob-768x432.jpg 768w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarming_prelimbinary_learning-unlearningcEmanuelGollob-1536x864.jpg 1536w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarming_prelimbinary_learning-unlearningcEmanuelGollob-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Emanuel Gollob<\/strong> investigates today&#8217;s relations of humans, artificial intelligence &amp; robots with the goal of making alternative relations bodily experienceable. In parallel, his work traces the change in human perception in connection to digitalization. Since 2020, he has been a PhD candidate and researcher at the University of Arts Linz. In 2023, he was a guest artist at the ZKM | Center for Art and Media in Karlsruhe. Subsequently, he became EMAP residence artist at the WRO Art Center.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53261113527_b0769df6f3_k-1024x683.jpg\" alt=\"\" class=\"wp-image-2829\" srcset=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53261113527_b0769df6f3_k-1024x683.jpg 1024w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53261113527_b0769df6f3_k-300x200.jpg 300w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53261113527_b0769df6f3_k-768x512.jpg 768w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53261113527_b0769df6f3_k-1536x1024.jpg 1536w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53261113527_b0769df6f3_k.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><em>Emanuel Gollob. <\/em>dis<em>arming, 2023. Crypto, Art and Climate exhibition, National Library of Latvia, Riga, 2023. Photo: Krist\u012bne Madjare<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53200461157_88259c7a32_k-1024x683.jpg\" alt=\"\" class=\"wp-image-2828\" srcset=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53200461157_88259c7a32_k-1024x683.jpg 1024w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53200461157_88259c7a32_k-300x200.jpg 300w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53200461157_88259c7a32_k-768x512.jpg 768w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53200461157_88259c7a32_k-1536x1024.jpg 1536w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53200461157_88259c7a32_k.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><em>Emanuel Gollob. <\/em>dis<em>arming, 2023. Crypto, Art and Climate exhibition, National Library of Latvia, Riga, 2023. Photo: Juris Rozenbergs<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53262470415_00572d0f89_k-1024x683.jpg\" alt=\"\" class=\"wp-image-2831\" srcset=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53262470415_00572d0f89_k-1024x683.jpg 1024w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53262470415_00572d0f89_k-300x200.jpg 300w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53262470415_00572d0f89_k-768x512.jpg 768w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53262470415_00572d0f89_k-1536x1024.jpg 1536w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2024\/08\/53262470415_00572d0f89_k.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><em>Emanuel Gollob. <\/em>dis<em>arming, 2023. Crypto, Art and Climate exhibition, National Library of Latvia, Riga, 2023. Photo: Krist\u012bne Madjare<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarmingcMilos\u030c-Vuc\u030cic\u0301evic\u0301_2-1024x684.jpg\" alt=\"\" class=\"wp-image-2573\" style=\"width:840px;height:561px\" srcset=\"https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarmingcMilos\u030c-Vuc\u030cic\u0301evic\u0301_2-1024x684.jpg 1024w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarmingcMilos\u030c-Vuc\u030cic\u0301evic\u0301_2-300x200.jpg 300w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarmingcMilos\u030c-Vuc\u030cic\u0301evic\u0301_2-768x513.jpg 768w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarmingcMilos\u030c-Vuc\u030cic\u0301evic\u0301_2-1536x1026.jpg 1536w, https:\/\/festival2023.rixc.org\/wp-content\/uploads\/2023\/09\/disarmingcMilos\u030c-Vuc\u030cic\u0301evic\u0301_2-2048x1368.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">dis<em>arming(c)Milos\u030c Vuc\u030cic\u0301evic\u0301<\/em><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Emanuel Gollob (AT)disarmingrobotic installation, 2023 disarming is a performative exploration of the relationship between detached robot arms, artificial environments, and human observers, as well as a search for potential future roles of robotics &amp; AI in our society. Learning and unlearning of locomotions in postanthropocentric environments and times. The work playfully explores the ambiguity of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2476","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/festival2023.rixc.org\/index.php?rest_route=\/wp\/v2\/pages\/2476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festival2023.rixc.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festival2023.rixc.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festival2023.rixc.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festival2023.rixc.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2476"}],"version-history":[{"count":4,"href":"https:\/\/festival2023.rixc.org\/index.php?rest_route=\/wp\/v2\/pages\/2476\/revisions"}],"predecessor-version":[{"id":2853,"href":"https:\/\/festival2023.rixc.org\/index.php?rest_route=\/wp\/v2\/pages\/2476\/revisions\/2853"}],"wp:attachment":[{"href":"https:\/\/festival2023.rixc.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}